Month: April 2025

A painter who reveals traces and the invisible

For Laurence Simon, it is not flamboyant subjects that capture the eye, but forgotten traces: knotted bags, worn scaffolding drapes, bunkers, haystacks, or rusty drums.
Her patient, sensual painting embodies a form of resistance, transforming fragments of everyday life into timeless poetry—always without depicting the human figure.

A vocation born very early

“I said I wanted to be a painter when I was five years old.”
This childhood confession illustrates Laurence Simon’s determination. Coming from a lineage of artists dating back to the 17th century, her vision was shaped by the Fine Arts, by Rome, the former Yugoslavia, Normandy, and more recently Mexico.
A painter against the grain, she rejects spectacle in favor of detail and fragments.

The beauty of the discarded

Laurence Simon’s universe often begins with fascination:

• the shine of metal,
• the strange mechanism of garbage wheels,
• the straw of hay bales,
• forgotten bags and walls eroded by time.

These discarded, ordinary objects become universal archetypes in her work: a drum turns into a still life, a drape into an allegory, a haystack into an installation.
She does not reproduce—she reveals.

An art infused with ruins and memory

Her work draws from the ancient ruins of Rome, the war-scarred villages of Montenegro, Norman silos, centenary olive trees, and dreamlike Mexican landscapes.
Abandoned objects turn into pictorial poetry, while landscapes devastated by war carry a universal memory.

Laurence Simon openly claims the legacy of Dürer (for the drapery), of Patinir (for discreet details in his Virgins), and pays tribute to Bourdelle and Beethoven in her monumental charcoal works.

A painting of resistance and slowness

Now working between Paris and the French coast, she continues her solitary, humble yet powerful journey. Her monumental black charcoal drawings—almost musical in their depth—gather fragments of past and present.
In a world driven by speed, Laurence Simon takes the time to look. And teaches us to see.

📖 Read more in the next issue of ART MAG (print or digital)

Tracing the intimate, capturing the unseen

Frédérique Samama black stone art emotion perfectly sums up the work of this artist, who explores the body and emotion through intense, silent compositions. Using black stone and tight framing, she opens a path to the intimate—where words fail and images become pure vibration.

Between abstraction and figuration

Trained at the Auguste Renoir School of Applied Arts, Frédérique Samama first honed her eye in auction houses, working as an auctioneer’s clerk. This daily contact with artworks shaped her refined, cultured approach. In 2018, during her first solo exhibition, her artistic voice emerged with clarity. She deepened her research at the Beaux-Arts de Paris, in Philippe Jourdain’s life model sculpting workshop.

Frédérique Samama and art

Since then, she has tirelessly explored the human form through pared-down, frontal compositions in which faces and hands take center stage. Black stone has become her tool of choice, for the depth of its blacks, their vibrating intensity, and their evocative power. She draws, rubs, erases. Her lines are deliberately open and unfinished, inviting the viewer to step into the image, extend the gesture, and project their own silences onto the work.

A tension between strength and fragility

Her works are not only visual—they are sensory experiences. The backgrounds, textured with materials and chance marks, contribute to the tension of the whole. Each canvas becomes a space of resonance, where subject and environment engage in dialogue. Frédérique Samama paints a fragile truth, an inner vibration that escapes fixed narratives.

Presence on the art scene

A member of the Taylor Foundation and the Maison des Artistes, Frédérique Samama exhibits at major French salons—Salon d’Automne, Salon des Artistes Français, Salon des Beaux-Arts—as well as internationally, from Tokyo to Bonn, Remagen, and the Netherlands. Her awards, such as the Expressionism Prize at the Salon d’Automne and the Creativity Prize in Palermo, confirm the strength and uniqueness of her artistic voice.

An inhabited and open work

The canvases of Frédérique Samama black stone art emotion do not tell a story—they open a space. A suspended, essential encounter in which one does not simply look, but truly feel.

📖 Read more in the next issue of ART MAG (print or digital)

When painting becomes a luminous cry

Christophe Peregrin art fight colors: behind these words lies a French artist from Nice who transforms painting into an act of poetic resistance. In each canvas, Christophe Peregrin channels overflowing energy, a fierce desire to speak out and denounce—in bursts of light and vibrant color.

A calling born from the heart

Born in Nice, Christophe Peregrin grew up in a loving family where his grandparents encouraged his early creative impulses. The spark truly ignited in middle school, when an art teacher recognized his talent and encouraged him towards the Beaux-Arts. Although his academic path took a different turn, the call of painting never left him.

Christophe Peregrin and the art fight colors

A self-taught artist, he has forged his own path. Initially inspired by Impressionism, he later embraced the codes of Pop Art: bold blocks of bright colors, direct compositions, and the influence of comic books. These elements have become the tools of a committed visual language that speaks directly to the public.

Art as an engaged language

For Christophe Peregrin, painting is taking a stand. Inspired by current events or by figures he admires, he delivers strong messages on violence, injustice, and social divides—while wrapping his works in radiant pigments. This tension between serious subject matter and joyful visuals gives his work a unique strength.

Influences and singularity

His references range from the liveliness of Toulouse-Lautrec to the raw energy of Basquiat and the sensitivity of Pissarro. Yet Christophe Peregrin art fight colors is never imitation: he blends these influences to create a universe rooted in his time, accessible yet impactful.

A free and luminous path

His works have been exhibited in emblematic venues on the French Riviera—Forum Nice Nord, Château de Crémât, and the town hall of Saint-Laurent-du-Var. Today, the artist dreams of showing his paintings in Saint-Paul-de-Vence and Paris, not for fame but to broaden the conversation with the public and amplify his message.

An art that soothes and awakens

His paintings are moments of respite—chromatic shocks that awaken consciousness while warming the heart. “I want to awaken emotion, to shake without darkening,” he says. In a world often clouded by grey, Christophe Peregrin reminds us that art can still be a sincere cry—a cry that heals.

📖 Read more in the next issue of ART MAG (print or digital)

Fragments of icons and emotional visuals

Hugo Mucciante art collage memory defines the vibrant world of a young contemporary pop artist who transforms collage into a genuine emotional language. His works don’t simply align images—they overlap, rub against each other, and make fragments of the past converse with the energy of the present.

An archaeologist of visual culture

Like an explorer of forgotten archives, Hugo Mucciante delves into the yellowed pages of 1960s and 1970s magazines, extracting faces, symbols and fleeting moments. Each piece becomes a bridge between generations, echoing universal emotions. His instinctive practice always begins with a gesture: to find, cut and reassemble. Influenced by a childhood steeped in music and cinema, he does not aim to illustrate personal memories but to reactivate shared ones.

Hugo Mucciante and the art of collage memory

Balancing between retro collage and urban painting, Hugo Mucciante blurs the boundaries between past and present. His compositions capture iconic actresses, forgotten posters, arresting gazes, or even a melody that resurfaces unexpectedly. Each canvas becomes a time capsule, holding both nostalgia and vitality in perfect balance.

From the private to the public

What distinguishes Hugo Mucciante in the contemporary pop scene is the freshness of his approach. Initially intended to remain private, his work has gradually conquered public spaces: boutique walls, private collections, and art lovers drawn to its vibrant and accessible aesthetic. Today, the artist aspires to see his collage memory works exhibited in galleries and art fairs, where his fragments of history can meet new audiences.

A living visual memory

More than a style, Hugo Mucciante art collage memory embodies a sincere and generous art of memory. Where some replicate codes, he assembles living signs. Where others comment on the world, he infuses it with shared memories. His strength lies in the ability to rekindle icons that still resonate with us—without nostalgia, but with a fresh emotional charge.

📖 Read more in the next issue of ART MAG (print or digital)