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A Contemporary Art Exhibition Applauded by Collectors at the Carrousel du Louvre

Visiteurs en attente de rentrer dans le salon Carousel du Louvre

On April 4, 2025, ANKHART captivated audiences in Paris during the 35th edition of the international Art Shopping fair at the Carrousel du Louvre. Under the artistic direction of Yaki LI, stand B18 offered a unique co-curatorial experience featuring three leading artists around a powerful theme:
“Three artists, a dialogue with time and space.”

The Rhythm of Life : DAKE WANG Qi blends eastern philosophy with abstract gesture

Artist DAKE WANG Qi opened the exhibition with his series The Rhythm of Life, a compelling body of work combining gestural abstraction with Eastern philosophical thought. His subtle and fluid color palette evokes the transience of life, captured with great sensitivity.

Rainbow Way : a chromatic de to inner joy by Yaki LI

Yaki Li – Rainbow Way

As both curator and artist, Yaki LI presented Rainbow Way, a vibrant and spiritual series. The monumental piece Rainbow Way 2025 No. 1 (2 meters) caught the attention of Chinese collector Mr. Qi, who shared:

“This piece feels like a reconciliation—with oneself or with others. A vibrant encounter at the summit of life, whose sparks fall onto the canvas like fireworks.”

Painter Pierre Cornuel also praised the series for its “positive energy that soothes the soul, while revealing exceptional artistic talent.”

W.A.Y Studio propels contemporary art into the future

Mecrob

Under the Mecrob tech label, W.A.Y Studio unveiled works at the intersection of reality and digital art. Silica Epoch and Dune Meta blend 3D sculpture, speculative design, and digital imagination.
The audience was especially captivated by Silhaya – Mystic Bone Engraving, a collaborative work with artist JDONG.

W.a.y Studio

Growing recognition for ANKHART

The exhibition received support from the Salon des Artistes Indépendants and was featured in both French and Chinese media. The artists’ works are now available for purchase on the international platform ARTSPER, a clear sign of ANKHART’s global visibility and curatorial excellence.

ANKHART : A bridge between cultures, generations, and media

With this ambitious exhibition, ANKHART is reaffirming its role as a key player in contemporary art, exploring intersections between cultures, generations, and mediums. A forward-looking and sensitive vision of the art of tomorrow.

👉 Curious to discover their work? Follow ANKHART

🔖 Read also  

  • W.A.Y Studio, a techno-poetic rebirth of matter
  • Dake Wang Qi
  • Yaki LI : une visionnaire de l’art contemporain

📰 ART MAG#26 🌐ART MAG#26


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W.A.Y Studio: When Contemporary Art Gives New Life to Electronic Waste

Silhaya tableau crée à partir d'objet recyclé

A visionary collective bridging technology, recycling, and spirituality

W.A.Y Studio is an international artistic collective that is revolutionizing the world of contemporary art through a unique approach: upcycling art, the practice of transforming electronic waste into artistic treasures. By blending obsolete technology, hybrid cultural influences, and spiritual symbolism, W.A.Y Studio breathes new life into materials while offering a critical reflection on our consumerist society.

Sihaya 1-8

Upcycling Art : giving electronic waste a second Life

In a world dominated by consumerism and planned obsolescence, W.A.Y Studio takes a radical stance by choosing to create from technological debris. Their raw materials include circuit boards, microprocessors, vacuum tubes, and wires, carefully collected and repurposed into futuristic artworks.

Machina Alta

More than simple recycling, the collective embraces a philosophy of material re-enchantment. For them, upcycling is a way of seeing the world: “It’s not just about transforming materials — it’s about changing perspectives.”

Between Art and Ecology : A committed manifesto

Every creation by W.A.Y Studio is born from a deep reflection on the environmental impact of our lifestyles. By reclaiming discarded objects, the collective roots its work in an eco-conscious approach. Their studio becomes a poetic laboratory, where technology is turned into totems, relics, or sacred icons.

Their process, slow and meditative, contrasts with the frenetic pace of the digital age. Each component is treated as a fragment of history, an archaeological clue to a world in perpetual transformation.

Eden’s Silicon Arbor

 Technopoetic Works to Discover

Among the studio’s most iconic pieces:

  • Silhaya: a silent tribute to technological fragility, reminiscent of a forgotten artifact.
  • Machina Altar: a post-digital liturgy where electronic components become objects of worship.
  • Aegis Grasp: a fusion of metallic circuits and organic gestures, evoking a spiritual quest.
  • Eden’s Silicon Arbor: a masterpiece depicting a futuristic tree of life made of chips and fiber optics, symbolizing a re-enchanted ecosystem.
Machina Altar

Why W.A.Y Studio Captivates

  • Because it merges contemporary art with intelligent recycling
  • Because it builds bridges between past and future, between craft and code
  • Because its works are both visually compelling, critically engaged, and spiritually resonant
  • And because in every discarded fragment, the collective reveals a new artistic and human value

📌 In Summary: W.A.Y Studio and Upcycling Art

W.A.Y Studio has established itself as a major force in technological contemporary art, combining sustainable creativity, baroque-futurist aesthetics, and ecological commitment. Their approach perfectly illustrates how art can be a tool for transformation, restoring meaning to what society considers obsolete.

👉 Curious to discover their work? Follow ANKHART

🔖 Read also :  W.A.Y Studio, a techno-poetic rebirth of matter

📰 ART MAG#26

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The Centre Pompidou undergoes a metamorphosis : a cultural renaissance is underway

Fermeture fin 2025 du centre Pompidou pour travaux
Nicolas Krief

In 2025, the Centre Pompidou, a symbol of contemporary artistic creation in Paris, will close its doors to embark on an ambitious transformation. This renovation of the museum aims to breathe new life into the utopia that was the foundation of the place, while meeting the challenges of the 21st century: sustainability, accessibility and inclusion.

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Modern art - News

Degenerate’ art: the trial of artistic modernity at the time of Nazism

Oeuvre de George Grosz 1916 1917 oil on canva 100x 102 CM
© Estate of George Grosz, Princeton, N.J. / Adagp, Paris, 2024

A poignant exhibition at the Musée national Picasso-Paris

From 18 February to 25 May 2025, the Musée national Picasso-Paris presents ‘Degenerate’ art. The trial of modern art under Nazism’, an exceptional exhibition devoted to the violent campaign of artistic repression orchestrated by Hitler’s regime in the 1930s. A powerful, political and deeply moving museum event.

Pour lire la suite, téléchargez ART MAG n°26
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News - Painting

Jean Dometti – ‘Essential elements’ exhibition at Mers-Les-Bains

Jean Dometti artiste peintre

Jean Dometti doesn’t paint to decorate walls. He paints to open up a passage, a space for dialogue between matter, memory and sensation. From 16 May to 15 June 2025, the Centre culturel Jacques Prévert in Mers-Les-Bains will be exhibiting 44 of the artist’s works based on a founding theme: the four elements. Earth, air, fire, water… so many forces that Dometti does not seek to represent, but to evoke, to make vibrate at the heart of the canvas.

Born in 1950, Jean Dometti grew up with the tremors of May ‘68. He began his creative career in the theatre, designing sets and costumes, before studying art and industrial design at the École Normale Supérieure de Cachan. There he rubbed shoulders with visual artists and designers, engravers and thinkers about visual space. Early on, he chose a challenging path: to make a living from art without depending on the market, and to teach in order to preserve the freedom to create.

His work is rooted in places – the Corsican mountains, cathedrals, ruined factories – but above all in their memory. Jean draws, engraves and paints what the place whispers to him. The material is a language and the artist is its translator. Wood, canvas, slate, hand-made paper… each medium carries a story that the artist reveals, expands, sometimes even carves out, as in his early engravings now on display at the Bibliothèque nationale.

The exhibition at Prévert is also the story of a turning point. In 2020, at the very beginning of Covid, Dometti was diagnosed with cancer. He spent six months in hospital, opening himself up to a new perception of life and a radical change in his painting. More light. More contradictions. More dynamism.

The elements saved me,» he confides. «I rediscovered the light.

We find this energy in his round canvases, a first in his career, where water rubs shoulders with fire, air swirls above the earth. He blends the organic and the abstract, the raw and the delicate, in a series that seems to float between the real world and the inner world.

An inhabited exhibition With 44 works, including 26 works on paper, mixed media and large format, the exhibition offers an immersion into a universe that is both intimate and universal. The scenography, conceived as a breath of fresh air, gives space to each work, allowing it to breathe, to question, to move the eye.

Dometti does not try to impose a discourse. He sets shapes, tensions and silences, leaving the viewer free to receive. A work,» he says, «is a triangle: the artist, the canvas, the gaze of the other.

With Dometti, nothing is set in stone. Art is movement, intuition and discovery. A constant dialogue between what has been experienced and what has yet to be invented. This exhibition is much more than an exhibition: it’s a poetic manifesto, an invitation to rethink our relationship with the elements, with places, with ourselves.

Pour lire la suite, téléchargez ART MAG n°26
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News - Painting

David Hockney: An Unprecedented Retrospective at the Fondation Louis Vuitton

David Hockney dans son atelier

The Fondation Louis Vuitton, renowned for its commitment to contemporary art, presents from 9 April to 31 August 2025 an exceptional exhibition dedicated to David Hockney, an iconic figure in modern painting. This retrospective, simply entitled ‘David Hockney 25’, celebrates the artist’s seven-decade career by highlighting over 400 works that trace a rich and varied career, from his earliest beginnings to his most recent creations.

Pour lire la suite, téléchargez Art Mag n°25
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ANKHART at ART CAPITAL 2025 : an essential showcase for international contemporary art

A strong presence at the Grand Palais, at the heart of world art

The 2025 edition of ART CAPITAL, organised at the Grand Palais in Paris, once again confirms its status as a major event on the international art scene. ANKHART, under the artistic direction of Yaki Li, was one of the stand-out exhibitors this year, showcasing a selection of artists who embody the diversity and vitality of contemporary art.

ANKHART : a committed platform for emerging and established talent

Present at ART CAPITAL since 2018, ANKHART has established itself as a key player in the promotion of talent, whether emerging or already established. Thanks to its expert artistic direction, each year Yaki Li offers a rich programme rooted in an international and intercultural vision of artistic creation.

A focus on artists at the crossroads of influences

For this 2025 edition, ANKHART has presented powerful and singular works in several prestigious shows:

Salon des Artistes Français : works by MEN Xiumin, ZHANG Yun, DAKE WANG Qi, HE Qiwen and Yaki Li.

Salon du Dessin et de la Peinture à l’Eau : WEBER ZHANG and JIANG Wei captivated the public with their technical mastery and visual universe.

Salon des Indépendants : spotlight on WU Jintian, Mecrob by W.A.Y Studio, Lili TAO, and Yaki Li, selected for two shows this year.

Artistic direction driven by innovation

Yaki Li’s artistic direction plays a central role in ANKHART’s approach. His vision is based on exploring new artistic territories, bringing cultures together and promoting bold forms of expression. Every year, this approach attracts a curious public, sensitive to contemporary creativity and the diversity of artistic languages.

ART CAPITAL 2025 : a space for free expression and artistic dialogue

ANKHART’s participation in ART CAPITAL is more than just an exhibition. It embodies a commitment to an open artistic dialogue that challenges conventions and invites us to rethink the place of art in our societies. Each work exhibited reflects on the world, offers a unique perspective, and bears witness to an ongoing quest for excellence and innovation.


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Amiens celebrates Jules Verne with the sculpture “Le Nauti-poulpe”

Nauti Poulpe _ Jules Verne Amiens Halle Freyssinet
Jérémie Coudeville

On 24 March, Amiens paid tribute to Jules Verne on the 120th anniversary of his death with the inauguration of an impressive sculpture called “Le Nauti-poulpe”. Located near the Freyssinet Hall, this work of art has quickly become a major attraction for the city’s inhabitants and visitors alike.


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ANKHART Makes a Splash at ARTMUC with a Notable Performance

artmuc_2024_ankhart

ARTMUC 2024: A springboard for the emerging Gallery ANKHART

The international contemporary art fair ARTMUC, recently held at the MTC World of Fashion exhibition center in Munich, has once again confirmed its status as a must-attend creative event. Among this year’s participants, the emerging French gallery ANKHART stood out for its remarkable presence, being the only French gallery represented.

ANKHART took advantage of this prestigious platform to showcase the works of nine carefully selected international artists, thus providing a unique and diverse artistic experience to visitors. This selection not only enriched the international artistic dialogue but also highlighted the singular talent of each represented artist.

A cultural bridge between China, France, and Germany

Under the recommendation of Raiko Schwalbe, founder of ARTMUC, ANKHART was included in the VIP list of favorite galleries during the event’s preview. This prestigious recognition allowed the gallery to highlight award-winning Chinese artists, thus strengthening cultural ties between China, France, and Germany. The presented works captivated the audience and critics, illustrating the importance of these cultural exchanges in contemporary art.

ARTMUC: A benchmark for contemporary Art

Since its inception in 2014, ARTMUC has established itself as the largest art fair in Bavaria and a global reference for art enthusiasts and professionals. With over 2,000 artists and 500 galleries from 20 different countries participating over the years, the fair has attracted a varied and international audience. The 2024 edition was no exception, bringing together 200 galleries and artists from more than 15 countries, exploring a variety of mediums and innovative technologies.

A record attendance and sales

Despite the autumn holidays, the 2024 edition of ARTMUC recorded a historic attendance of 8,500 visitors and impressive sales of more than 400 works. This success attests to the vitality of the fair, even in a tense global economic context, and underscores its essential role as a catalyst for the internationalization of contemporary art.

ANKHART, a gallery to watch

For ANKHART, its participation in ARTMUC represents a significant advancement, consolidating its status among the essential emerging galleries on the international scene. The positive feedback and attention received during the event are eloquent testimonials of its rise and future potential in the world of contemporary art.

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News - Painting

Xiumin Men: bridging tradition and innovation in Contemporary Chinese Art

XIUMIN MEN artiste chinois Ankhart

In the diverse and ever-evolving world of contemporary art, Xiumin Men is carving out his own path with a personal and introspective approach to ink painting. Drawing inspiration from Taoist philosophy and the beauty of nature, this Chinese artist explores the harmony between humanity and the universe, blending abstraction with tradition in his creative process.

Redefining ink painting

Rooted in the rich heritage of Chinese ink painting, Xiumin Men brings a contemporary twist to this age-old art form. While honoring traditional techniques and principles, he incorporates abstract and philosophical elements that resonate with a modern audience. His work reflects the Taoist concept of “the unity of heaven and man”, striving to depict the interconnectedness of all living things.

Rather than merely replicating classic landscapes, his paintings aim to capture a deeper, intangible essence. The interplay of soft, fluid lines and structured forms creates a dynamic dialogue between order and chaos, the visible and the unseen.

A Journey Toward Recognition

Although not yet a household name, Xiumin Men is gradually gaining recognition on the international art scene. In 2020, he received an award at the Salon du dessin et de la peinture à l’eau at the Grand Palais in Paris, marking a significant milestone in his career. This opportunity introduced his work to European audiences and set the stage for further exploration beyond his home country.

Represented by ANKHART, Xiumin Men has since participated in several notable art events, including:

These experiences highlight his commitment to sharing his art with diverse audiences and engaging with demanding and varied artistic communities.

An evolving artistic practice

While grounded in tradition, Xiumin Men’s work remains in constant evolution. His style, still developing, explores abstract notions such as cosmic energy and universal connections. Far from claiming perfection, his paintings express a sincere and humble quest for balance between nature and spirituality.

Through minimalistic textures and compositions, he invites viewers to reflect on their own connection to the universe. Though his impact remains modest for now, his thoughtful approach is beginning to resonate with those interested in contemporary Chinese art.

Xiumin Men and ANKHART: a promising partnership

With the support of ANKHART, Xiumin Men has found a platform to showcase his work and grow as an artist. This partnership offers him opportunities to explore new avenues and connect with other international creators. While his name is not yet widely recognized, his participation in various art events demonstrates potential that could fully bloom in the years ahead.

A promise for the future

Xiumin Men is an artist in the midst of exploration, continuously refining and enriching his craft. His works, blending tradition and modernity, offer a personal and introspective perspective on universal themes of harmony and spirituality. While much remains to be discovered and achieved, Xiumin Men exemplifies how drawing from traditional roots can pave the way toward a forward-looking vision.