The real story “L’Atelier rouge” by Matisse

L'atelier rouge de Matisse

Henri Matisse‘s L’Atelier rouge is a testament to the transformative power of colour and form in modern art. Painted in 1911, it was first known to the world as Panneau rouge (Red Panel), emphasising its departure from traditional easel painting towards a more integrated, decorative approach. This title emphasised the painting’s radical monochrome, focusing on its colouristic boldness rather than its figurative elements – a pioneering move by Matisse that reflected the spirit of early modernism.

However, it was Alfred H. Barr Jr, the founding director of the Museum of Modern Art in New York, who years later renamed it L’Atelier rouge, marking a crucial shift in its reception. This new title anchored the painting within the narrative of institutional art history and sparked a deeper academic exploration. Despite being exhibited at prominent events such as the 1913 Armory Show and the 1912 ‘Second Post-Impressionist Exhibition’ in London, the work initially remained in obscurity, its avant-garde nature isolating it from contemporary acclaim – similar to the initial reception of Monet’s Nymphéas.

The overwhelming use of red in L’Atelier rouge does more than fill the background; it creates a unifying force that draws the viewer into Matisse’s studio space, transforming it into an immersive environment. This approach echoes Matisse’s later experiments in Nice, where he explored the dissolution of boundaries between pictorial space and reality, most notably in his final work, the Chapelle du Rosaire in Vence.


Immerse yourself in Impressionism : The “Sur la plage” exhibition at the Musée de Picardie

À l’occasion des 150 ans de l’impressionnisme, Sur la plage, d’Édouard Manet, est visible du 16 mars au 16 juin 2024 au musée de Picardie d’Amiens. Cest le Musée d’Orsay qui a prêté à Amiens cette œuvre “locale” d’Édouard Manet (1832-1883), peinte en 1873 à Berck-sur-Mer.

Since 16 March, the Musée de Picardie has been offering visitors a spellbinding immersion in the world of Impressionism through the exceptional exhibition “Sur la plage”. On loan from the prestigious Musée d’Orsay, this emblematic work by Édouard Manet takes visitors on an artistic journey to the heart of the movement that revolutionised French painting.

Exploring a masterpiece

Dated 1873, Sur la plage is much more than just a canvas. It is an open window onto the shore at Berck-sur-Mer, where the artist captures the fleeting moment when his wife Suzanne and his brother Eugène let themselves be carried away by the tranquillity of reading or contemplating the ocean. Through this intimate scene, Manet invites us to share a moment of serenity and melancholy, while inviting us to adopt the gaze of the yachtsman, imbued with the magic of the sea.

The genius of Manet and the Impressionist spirit

Édouard Manet, the guiding light of Impressionism, stands out for his singular vision of the world. A precursor of thisdaring movement, he defied academic conventions by favouring spontaneity, luminosity and fluidity in his works. “Sur la plage” is a perfect example, where bright colours and light brushstrokes express all the vivacity of nature and modern life.

News - Sculpture


l'arstiste ASTRO dans son atelier avec une de ses sculptures
Lionel Belluteau

In the world of contemporary urban art, visual artist ASTRO stands out for his creative daring and his ability to push back the boundaries of artistic expression. He recently announced a new phase in his career with the launch of his first work entitled ‘DIMENSIONS’, and his remarkable foray into sculpture.

Launch of ‘Dimensions‘ at the Fluctuart urban art centre

DIMENSIONS which will be unveiled on 25 May 2024 at the Fluctuart urban art centre in Paris, promises a captivating dive into ASTRO’s twenty-year career. From his early graffiti work in the northern suburbs of Paris to his monumental frescoes and stunning optical illusions across the globe, this book offers a comprehensive retrospective of the artistic evolution of this talented innovator.

ASTRO and Sculpture : a new dimension

ASTRO, known for his XXL trompe-l’œil works that redefine the limits of perspective, is now embarking on a three-dimensional exploration with sculpture. His move from canvas to sculpture marks a natural evolution in his artistic approach, as he seeks to push back the boundaries of his art even further. His sculptures, characterised by subtle optical interplay and the skilful manipulation of gravity, promise to captivate audiences and transform urban space into a limitless artistic playground.

ASTRO’s impact with Urban Block

But ASTRO’s impact is not limited to its individual works. As a member of the Urban Block collective, he is actively involved in the artistic revitalisation of Florida’s Thrive Art District, collaborating on the creation of monumental concrete works that redefine urban aesthetics.

ASTRO‘s commitment to artistic innovation and his influence on the contemporary urban scene are undeniable. His work is regularly exhibited in prestigious institutions around the world, testifying to his international recognition and lasting impact on the global artistic landscape.